Westminster Legacy - The Collector's Edition (Volume 2)
Various Artists
10.01.2014
Westminster
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Schubert: String Quintet In C, D.956 - 1. Allegro ma non troppo | 16:27 | |
2 | Schubert: String Quintet In C, D.956 - 2. Adagio | 15:20 | |
3 | Schubert: String Quintet In C, D.956 - 3. Scherzo (Presto) - Trio (Andante sostenuto) | 10:21 | |
4 | Schubert: String Quintet In C, D.956 - 4. Allegretto | 9:27 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Schubert: Octet In F, D.803 - 1. Adagio - Allegro | 11:49 | |
2 | Schubert: Octet In F, D.803 - 2. Adagio | 12:03 | |
3 | Schubert: Octet In F, D.803 - 3. Allegro vivace | 5:10 | |
4 | Schubert: Octet In F, D.803 - 4. Thema. Andante - Var. I - VII | 8:35 | |
5 | Schubert: Octet In F, D.803 - 5. Menuetto | 6:15 | |
6 | Schubert: Octet In F, D.803 - 6. Andante molto - Allegro | 9:32 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Mendelssohn: Octet In E Flat, Op. 20, MWV R20 - 1. Allegro moderato, ma con fuoco | 15:01 | |
2 | Mendelssohn: Octet In E Flat, Op. 20, MWV R20 - 2. Andante | 8:12 | |
3 | Mendelssohn: Octet In E Flat, Op. 20, MWV R20 - 3. Scherzo (Allegro leggierissimo) | 4:46 | |
4 | Mendelssohn: Octet In E Flat, Op. 20, MWV R20 - 4. Presto | 6:05 | |
5 | Beethoven: String Quartet No. 8 in E minor, Op. 59 No. 2 -"Rasumovsky No. 2" - 1. Allegro von Janacek Quartet | 9:41 | |
6 | Beethoven: String Quartet No. 8 in E minor, Op. 59 No. 2 -"Rasumovsky No. 2" - 2. Molto adagio von Janacek Quartet | 13:52 | |
7 | Beethoven: String Quartet No. 8 in E minor, Op. 59 No. 2 -"Rasumovsky No. 2" - 3. Allegretto von Janacek Quartet | 8:32 | |
8 | Beethoven: String Quartet No. 8 in E minor, Op. 59 No. 2 -"Rasumovsky No. 2" - 4. Finale (Presto) von Janacek Quartet | 5:51 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Dvořák: String Sextet in A major, Op. 48 - 1. Allegro moderato von European String Quartet, Richard Strabl, Wolfgang Herzer | 10:04 | |
2 | Dvořák: String Sextet in A major, Op. 48 - 2. Dumka (Elegie): Poco allegretto von European String Quartet, Richard Strabl, Wolfgang Herzer | 6:33 | |
3 | Dvořák: String Sextet in A major, Op. 48 - 3. Furiant (Presto) von European String Quartet, Richard Strabl, Wolfgang Herzer | 4:38 | |
4 | Dvořák: String Sextet in A major, Op. 48 - 4. Finale (Tema con variazioni: Allegretto grazioso, quasi andantino) von European String Quartet, Richard Strabl, Wolfgang Herzer | 7:21 | |
5 | Dvořák: String Quintet in e flat, Op. 97 - 1. Allegro non tanto | 6:45 | |
6 | Dvořák: String Quintet in e flat, Op. 97 - 2. Allegro vivo | 5:44 | |
7 | Dvořák: String Quintet in e flat, Op. 97 - 3. Larghetto | 10:08 | |
8 | Dvořák: String Quintet in e flat, Op. 97 - 4. Finale (Allegro giusto) | 7:31 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Beethoven: Piano Sonata No. 8 In C Minor, Op. 13 -"Pathétique" - 1. Grave - Allegro di molto e con brio von Egon Petri | 8:31 | |
2 | Beethoven: Piano Sonata No. 8 In C Minor, Op. 13 -"Pathétique" - 2. Adagio cantabile von Egon Petri | 4:48 | |
3 | Beethoven: Piano Sonata No. 8 In C Minor, Op. 13 -"Pathétique" - 3. Rondo (Allegro) von Egon Petri | 3:59 | |
4 | Beethoven: Piano Sonata No. 23 In F Minor, Op. 57 -"Appassionata" - 1. Allegro assai von Egon Petri | 8:42 | |
5 | Beethoven: Piano Sonata No. 23 In F Minor, Op. 57 -"Appassionata" - 2. Andante con moto von Egon Petri | 6:17 | |
6 | Beethoven: Piano Sonata No. 23 In F Minor, Op. 57 -"Appassionata" - 3. Allegro ma non troppo von Egon Petri | 5:15 | |
7 | Beethoven: Piano Sonata No. 29 In B fFat, Op. 106 -"Hammerklavier" - 1. Allegro von Egon Petri | 10:23 | |
8 | Beethoven: Piano Sonata No. 29 In B Flat, Op. 106 -"Hammerklavier" - 2. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) von Egon Petri | 2:46 | |
9 | Beethoven: Piano Sonata No. 29 In B Flat, Op. 106 -"Hammerklavier" - 3. Adagio sostenuto von Egon Petri | 14:22 | |
10 | Beethoven: Piano Sonata No. 29 In B Flat, Op. 106 -"Hammerklavier" - 4. Largo - Allegro risoluto von Egon Petri | 11:17 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Schubert: Fantasia For Piano In C, D.760 (Op. 15) "Wanderer-Fantasie" - 1. Allegro con fuoco, ma non troppo | 6:02 | |
2 | Schubert: Fantasia For Piano In C, D.760 (Op. 15) "Wanderer-Fantasie" - 2. Adagio | 6:47 | |
3 | Schubert: Fantasia For Piano In C, D.760 (Op. 15) "Wanderer-Fantasie" - 3. Presto | 4:50 | |
4 | Schubert: Fantasia For Piano In C, D.760 (Op. 15) "Wanderer-Fantasie" - 4. Allegro | 3:46 | |
5 | Schubert: 6 Moments musicaux, Op. 94 D.780 - No. 1 In C (Moderato) | 4:26 | |
6 | Schubert: 6 Moments musicaux, Op. 94 D.780 - No. 2 In A Flat (Andantino) | 6:11 | |
7 | Schubert: 6 Moments musicaux, Op. 94 D.780 - No. 3 In F Minor (Allegro moderato) | 1:56 | |
8 | Schubert: 6 Moments musicaux, Op. 94 D.780 - No. 4 In C Sharp Minor (Moderato) | 5:05 | |
9 | Schubert: 6 Moments musicaux, Op. 94 D.780 - No. 5 In F Minor (Allegro vivace) | 2:19 | |
10 | Schubert: 6 Moments musicaux, Op. 94 D.780 - No. 6 In A Flat (Allegretto) | 6:45 | |
11 | Schubert: 4 Impromptus, Op. 90, D.899 - No. 1 In C Minor: Allegro molto moderato | 9:08 | |
12 | Schubert: 4 Impromptus, Op. 90, D.899 - No. 2 In E Flat: Allegro | 4:33 | |
13 | Schubert: 4 Impromptus, Op. 90, D.899 - No. 3 In G Flat: Andante | 5:16 | |
14 | Schubert: 4 Impromptus, Op. 90, D.899 - No. 4 In A Flat: Allegretto | 7:12 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Franck: Prélude, Chorale et Fugue - Prélude von Jörg Demus | 5:02 | |
2 | Franck: Prélude, Chorale et Fugue - Chorale von Jörg Demus | 5:36 | |
3 | Franck: Prélude, Chorale et Fugue - Fugue von Jörg Demus | 9:15 | |
4 | Franck: Prélude, Aria et Final - Prélude von Jörg Demus | 8:46 | |
5 | Franck: Prélude, Aria et Final - Aria von Jörg Demus | 6:27 | |
6 | Franck: Prélude, Aria et Final - Final von Jörg Demus | 7:09 | |
7 | Fauré: Impromptus No. 2, Op. 31 von Jörg Demus | 4:10 | |
8 | Fauré: Impromptus No. 4, Op. 91 von Jörg Demus | 4:47 | |
9 | Fauré: Impromptus No. 5, Op. 102 von Jörg Demus | 2:23 | |
10 | Fauré: Thème et variations, Op. 73 von Jörg Demus | 13:28 | |
11 | Fauré: Barcarolle No.6 Op.70 von Jörg Demus | 3:43 | |
12 | Fauré: Nocturne No. 6 In D Flat, Op. 63 - Nocturne No. 6 von Jörg Demus | 8:49 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Sor: Sonata For Guitar In C, Op. 22 - 3. Menuetto von Julian Bream | 3:49 | |
2 | Sor: Six Short Pieces Op. 5 - 5. Andante Largo von Julian Bream | 4:33 | |
3 | Sor: Etudes For Guitar, Op. 31 - No. 20 In A Minor von Julian Bream | 1:11 | |
4 | Sor: Estudio In B Minor von Julian Bream | 2:03 | |
5 | Sor: Estudio In A Major von Julian Bream | 1:45 | |
6 | Sor: Fantasia - Largo von Julian Bream | 6:24 | |
7 | Sor: Sonata For Guitar In C, Op. 22 - 4. Rondo (Allegretto) von Julian Bream | 4:31 | |
8 | Turina: Homenaje a Tárrega - 1. Garrotin von Julian Bream | 2:30 | |
9 | Turina: Homenaje a Tárrega - 2. Soleares von Julian Bream | 2:10 | |
10 | Turina: Fandanguillo, Op. 36 von Julian Bream | 5:26 | |
11 | Turina: Ráfaga, Op. 53 von Julian Bream | 2:48 | |
12 | Falla: Homenaje "Le tombeau de Debussy" von Julian Bream | 3:47 | |
13 | Villa-Lobos: 5 Preludes - No. 1 In E Minor von Julian Bream | 4:21 | |
14 | Villa-Lobos: 5 Preludes - No. 2 In E von Julian Bream | 2:44 | |
15 | Villa-Lobos: 5 Preludes - No. 3 In A Minor von Julian Bream | 6:23 | |
16 | Villa-Lobos: 5 Preludes - No. 4 In E Minor von Julian Bream | 3:30 | |
17 | Villa-Lobos: 5 Preludes - No. 5 In D von Julian Bream | 3:43 | |
18 | Moreno Torroba: Preludio von Julian Bream | 1:52 | |
19 | Moreno Torroba: Sonatina - 2. Andante von Julian Bream | 4:14 | |
20 | Moreno Torroba: Sonatina - 3. Allegro von Julian Bream | 3:56 | |
21 | Moreno Torroba: Burgalesa von Julian Bream | 3:11 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Schumann: Frauenliebe und -leben Op. 42 - 1. Seit ich ihn gesehen | 2:33 | |
2 | Schumann: Frauenliebe und -leben Op. 42 - 2. Er, der Herrlichste von allen | 2:56 | |
3 | Schumann: Frauenliebe und -leben Op. 42 - 3. Ich kann's nicht fassen, nicht glauben | 1:43 | |
4 | Schumann: Frauenliebe und -leben Op. 42 - 4. Du Ring an meinem Finger | 3:02 | |
5 | Schumann: Frauenliebe und -leben Op. 42 - 5. Helft mir, ihr Schwestern | 1:53 | |
6 | Schumann: Frauenliebe und -leben Op. 42 - 6. Süsser Freund, du blickest mich verwundert an | 4:52 | |
7 | Schumann: Frauenliebe und -leben Op. 42 - 7. An meinem Herzen, an meiner Brust | 1:16 | |
8 | Schumann: Frauenliebe und -leben Op. 42 - 8. Nun hast du mir den ersten Schmerz getan | 4:01 | |
9 | Schumann: Liederkreis, Op. 39 - In der Fremde | 2:11 | |
10 | Schumann: Liederkreis, Op. 39 - Intermezzo | 2:02 | |
11 | Schumann: Liederkreis, Op. 39 - Waldesgespräch | 2:00 | |
12 | Schumann: Liederkreis, Op. 39 - Die Stille | 1:23 | |
13 | Schumann: Liederkreis, Op. 39 - Mondnacht | 4:04 | |
14 | Schumann: Liederkreis, Op. 39 - Schöne Fremde | 1:20 | |
15 | Schumann: Liederkreis, Op. 39 - Auf einer Burg | 2:48 | |
16 | Schumann: Liederkreis, Op. 39 - In der Fremde ("Ich hör die Bachlein rauschen") | 1:42 | |
17 | Schumann: Liederkreis, Op. 39 - Wehmut | 2:31 | |
18 | Schumann: Liederkreis, Op. 39 - Zwielicht | 3:28 | |
19 | Schumann: Liederkreis, Op. 39 - Im Walde | 1:27 | |
20 | Schumann: Liederkreis, Op. 39 - Frühlingsnacht | 1:07 | |
21 | Respighi: Il tramonto - Version For Soprano And String Quartet | 18:11 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Duparc: L Invitation Au Voyage | 3:52 | |
2 | Duparc: La vie antérieure | 4:41 | |
3 | Duparc: Extase | 3:29 | |
4 | Duparc: Testament | 3:36 | |
5 | Duparc: Sérénade florentine | 2:24 | |
6 | Duparc: Le manoir de Rosemonde | 2:45 | |
7 | Duparc: La vague et la cloche | 5:33 | |
8 | Duparc: Lamento | 3:43 | |
9 | Duparc: Élégie | 3:31 | |
10 | Duparc: Phidylé | 5:32 | |
11 | Duparc: Chanson triste | 3:27 | |
12 | Duparc: Serenade | 2:41 | |
13 | Duparc: Soupir | 3:45 | |
14 | Duparc: Au Pays Ou Se Fait La Guerre | 5:00 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Beethoven: Christus am Oelberge (Christ On The Mount Of Olives) - Introduktion. Grave - Adagio | 6:45 | |
2 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Rezitativ: "Jehova, du mein Vater!" von Jan Peerce, Orchester der Wiener Staatsoper, Hermann Scherchen | 4:52 | |
3 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Arie: "Meine Seele ist erschüttert" von Jan Peerce, Orchester der Wiener Staatsoper, Hermann Scherchen | 5:24 | |
4 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Rezitativ: "Erzittre, Erde" von Maria Stader, Orchester der Wiener Staatsoper, Hermann Scherchen | 1:49 | |
5 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Arie: "Preist des Erlösers Güte" von Maria Stader, Orchester der Wiener Staatsoper, Hermann Scherchen | 3:34 | |
6 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Chor der Engel: "O Heil euch, ihr Erlösten" von Maria Stader, Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 6:19 | |
7 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Rezitativ: "Verkündet, Seraph, mir dein Mund Erbarmen" von Maria Stader, Jan Peerce, Orchester der Wiener Staatsoper, Hermann Scherchen | 1:37 | |
8 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Duett: "So ruhe denn mit ganzer Schwere" von Maria Stader, Jan Peerce, Orchester der Wiener Staatsoper, Hermann Scherchen | 6:40 | |
9 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Rezitativ: "Willkommen, Tod" von Jan Peerce, Orchester der Wiener Staatsoper, Hermann Scherchen | 1:29 | |
10 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Chor der Krieger: "Wir haben ihn gesehen" von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 2:27 | |
11 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Rezitativ: "Die mich zu fangen ausgezogen sind" von Jan Peerce, Orchester der Wiener Staatsoper, Hermann Scherchen | 2:01 | |
12 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Chor der Krieger: "Hier ist er, der Verbannte" von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 2:04 | |
13 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Rezitativ: "Nicht ungestraft soll der Verweg'nen" von Otto Wiener, Jan Peerce, Orchester der Wiener Staatsoper, Hermann Scherchen | 1:45 | |
14 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Terzett: "In meinen Adern wühlen gerechter Zorn" | 9:01 | |
15 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Chor der Engel: "Welten singen Dank und Ehre" von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Choir | 1:10 | |
16 | Beethoven: Christus am Oelberge (Christ on the Mount of Olives) - Chor: "Preiset ihn, ihr Engelchöre" von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Choir | 4:03 | |
17 | Mozart: An Chloë, K.524 | 2:48 | |
18 | Mozart: Oiseaux, si tous les ans K.307/K.284d | 1:30 | |
19 | Mozart: Ridente la calma, K.152 | 3:35 | |
20 | Mozart: Un moto di gioia mi sento, K.579 | 1:55 | |
21 | Mozart: Das Veilchen, K.476 | 2:37 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | J.S. Bach: Mass In B Minor, BWV 232 / Kyrie - Kyrie Eleison von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 14:50 | |
2 | J.S. Bach: Mass In B Minor, BWV 232 / Kyrie - Christe eleison von Pierrette Alarie, Nan Merriman, Orchester der Wiener Staatsoper, Hermann Scherchen | 4:51 | |
3 | J.S. Bach: Mass In B Minor, BWV 232 / Kyrie - Kyrie eleison von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 5:25 | |
4 | J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Gloria in excelsis Deo von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 1:55 | |
5 | J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Et in terra pax von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 5:24 | |
6 | J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Laudamus te von Nan Merriman, Orchester der Wiener Staatsoper, Hermann Scherchen | 4:46 | |
7 | J.S. Bach: Mass In B Minor, BWV 232/ Gloria - Gratias agimus tibi von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 3:21 | |
8 | J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Domine Deus von Pierrette Alarie, Léopold Simoneau, Orchester der Wiener Staatsoper, Hermann Scherchen | 5:45 | |
9 | J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Qui tollis peccata mundi von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 4:52 | |
10 | J.S. Bach: Mass In B Minor, BWV 232/ Gloria - Qui sedes ad dexteram Patris von Nan Merriman, Orchester der Wiener Staatsoper, Hermann Scherchen | 5:03 | |
11 | J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Quoniam tu solus sanctus von Gustav Neidlinger, Orchester der Wiener Staatsoper, Hermann Scherchen | 6:08 | |
12 | J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Cum Sancto Spiritu von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 4:46 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | J.S. Bach: Mass In B Minor, BWV 232 / Credo - Credo in unum Deum von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 2:03 | |
2 | J.S. Bach: Mass In B Minor, BWV 232 / Credo - Patrem omnipotentem von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 2:47 | |
3 | J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et in unum Dominum von Pierrette Alarie, Nan Merriman, Orchester der Wiener Staatsoper, Hermann Scherchen | 4:28 | |
4 | J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et incarnatus est von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 4:26 | |
5 | J.S. Bach: Mass In B Minor, BWV 232 / Credo - Crucifixus von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 5:09 | |
6 | J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et resurrexit von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 4:01 | |
7 | J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et in Spiritum Sanctum von Gustav Neidlinger, Orchester der Wiener Staatsoper, Hermann Scherchen | 5:52 | |
8 | J.S. Bach: Mass In B Minor, BWV 232 / Credo - Confiteor unum baptisma von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 7:14 | |
9 | J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et expecto resurrectionem von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 1:54 | |
10 | J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Sanctus von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 7:15 | |
11 | J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Osanna in excelsis (I) von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 2:51 | |
12 | J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Benedictus von Léopold Simoneau, Orchester der Wiener Staatsoper, Hermann Scherchen | 7:10 | |
13 | J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Osanna in excelsis (II) von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 2:51 | |
14 | J.S. Bach: Mass In B Minor, BWV 232 / Agnus Dei - Agnus Dei von Nan Merriman, Orchester der Wiener Staatsoper, Hermann Scherchen | 5:29 | |
15 | J.S. Bach: Mass In B Minor, BWV 232 / Agnus Dei - Dona nobis pacem von Orchester der Wiener Staatsoper, Hermann Scherchen, Wiener Akademie Kammerchor | 4:00 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 1. Introitus: Requiem von Sena Jurinac, Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 7:03 | |
2 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 2. Kyrie von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 3:12 | |
3 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 3. Sequentia: Dies irae von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 1:43 | |
4 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 3. Sequentia: Tuba mirum | 5:13 | |
5 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 3. Sequentia: Rex tremendae von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 1:56 | |
6 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 3. Sequentia: Recordare | 7:27 | |
7 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 3. Sequentia: Confutatis von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 3:13 | |
8 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 3. Sequentia: Lacrimosa von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 2:46 | |
9 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 4. Offertorium: Domine Jesu | 4:56 | |
10 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 4. Offertorium: Hostias von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 4:16 | |
11 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 5. Sanctus von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 1:30 | |
12 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 6. Benedictus | 7:59 | |
13 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 7. Agnus Dei von Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 4:33 | |
14 | Mozart: Requiem In D Minor, K.626 (Compl. By Franz Xaver Süssmayer) - 8.Communio: Lux aeterna von Sena Jurinac, Orchester der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir | 7:29 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Handel: Rodelinda - Ouverture | 2:48 | |
2 | Handel: Rodelinda - Menuet | 1:45 | |
3 | Handel: Rodelinda - No.1 Aria: "Ho perduto il caro sposo" von Teresa Stich-Randall, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 5:27 | |
4 | Handel: Rodelinda - Recitativo: "Regina?/Grimoaldo, nel mio presente stato" von Teresa Stich-Randall, Alexander Young, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 1:08 | |
5 | Handel: Rodelinda - No.2 Aria: "L'empio rigor del fato" von Teresa Stich-Randall, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 4:32 | |
6 | Handel: Rodelinda - Recitativo: "E tanto, da che sei re" von Hilde Rössel-Majdan, Alexander Young, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:38 | |
7 | Handel: Rodelinda - No. 3 Aria: "Io già t'amai" von Alexander Young, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 3:32 | |
8 | Handel: Rodelinda - Recitativo: "E tu dici d'amarmi?" von Hilde Rössel-Majdan, John Boyden, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:38 | |
9 | Handel: Rodelinda - No. 4 Aria: "Lo farò, dirò: spietato" von Hilde Rössel-Majdan, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 4:17 | |
10 | Handel: Rodelinda - Recitativo: "Eduige, t'inganni" von John Boyden, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:19 | |
11 | Handel: Rodelinda - No. 5 Aria: "Di Cupido impiego i vanni" von John Boyden, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 4:30 | |
12 | Handel: Rodelinda - No. 6 Sinfonia ed Accompagnato: "Pompe vane di morte" von Maureen Forrester, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 1:56 | |
13 | Handel: Rodelinda - No. 7 Aria: "Dove sei, amato bene?" von Maureen Forrester, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 5:00 | |
14 | Handel: Rodelinda - Recitativo: "Ma giunge Unulfo, oh Dio!" von Maureen Forrester, Helen Watts, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:59 | |
15 | Handel: Rodelinda - No. 8 Aria: "Ombre, piante, urne funeste" von Teresa Stich-Randall, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 6:45 | |
16 | Handel: Rodelinda - No. 9 Accompagnato e Recitativo: "Ombra del mio bel sol - Deh, lascia!/ No, signor" | 0:58 | |
17 | Handel: Rodelinda - Recitativo: "Baci inutili e vani" | 2:00 | |
18 | Handel: Rodelinda - No. 10 Aria: "Morrai, sì; l'empia tua testa" von Teresa Stich-Randall, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 3:43 | |
19 | Handel: Rodelinda - Recitativo: E ben, duca, poss'io all'ardor" von Alexander Young, John Boyden, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:46 | |
20 | Handel: Rodelinda - No. 11 Aria: "Se per te giungo a godere" von Alexander Young, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 3:23 | |
21 | Handel: Rodelinda - No. 12 Accompagnato: "Sì, l'infida consorte" von Maureen Forrester, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:26 | |
22 | Handel: Rodelinda - No. 13 Aria: "Confusa si miri" von Maureen Forrester, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 2:37 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Handel: Rodelinda - Rodelinda: Atto Secondo - Recitativo: "Già perdesti...Rodelinda, sì mesta ritorni" von Hilde Rössel-Majdan, John Boyden, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 1:09 | |
2 | Handel: Rodelinda - Rodelinda: Atto Secondo - No. 14 Aria: "De' miei scherni per far le vendette" von Hilde Rössel-Majdan, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 5:50 | |
3 | Handel: Rodelinda - Rodelinda: Atto Secondo - Recitativo: Rodelinda, è pur ver?" | 1:54 | |
4 | Handel: Rodelinda - Rodelinda: Atto Secondo - No. 15 Aria: Spietati, io vi giurai" von Alexander Young, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 4:29 | |
5 | Handel: Rodelinda - Rodelinda: Atto Secondo - Recitativo: Unulfo, Garibaldo, in questo seno" von Helen Watts, Alexander Young, John Boyden, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:34 | |
6 | Handel: Rodelinda - Rodelinda: Atto Secondo - No. 16 Aria: "Prigioniera ho l'alma in pena" von Alexander Young, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 4:57 | |
7 | Handel: Rodelinda - Rodelinda: Atto Secondo - Recitativo: "Massime così indegne" von Helen Watts, John Boyden, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:36 | |
8 | Handel: Rodelinda - Rodelinda: Atto Secondo - No. 17 Aria: "Tirannia gli diede il regno" von John Boyden, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 3:07 | |
9 | Handel: Rodelinda - Rodelinda: Atto Secondo - Recitativo: "Perché con soli intanto l'afflitto" von Helen Watts, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:24 | |
10 | Handel: Rodelinda - Rodelinda: Atto Secondo - No. 18 Aria: "Fra tempeste funeste" von Helen Watts, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 3:52 | |
11 | Handel: Rodelinda - Rodelinda: Atto Secondo - No. 19 Aria e Recitativo: "Con rauco mormorio - Dell'estinto germano" von Maureen Forrester, Hilde Rössel-Majdan, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 5:56 | |
12 | Handel: Rodelinda - Rodelinda: Atto Secondo - Recitativo: "Ah no, che non m'inganna" | 1:59 | |
13 | Handel: Rodelinda - Rodelinda: Atto Secondo - No. 20 Aria: "Scacciata dal suo nido" von Maureen Forrester, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 2:09 | |
14 | Handel: Rodelinda - Rodelinda: Atto Secondo - Recitativo: "Vive il mio sposo?" von Teresa Stich-Randall, Helen Watts, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:42 | |
15 | Handel: Rodelinda - Rodelinda: Atto Secondo - No. 21 Aria: "Ritorna, o caro e dolce mio tesoro" von Teresa Stich-Randall, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 4:08 | |
16 | Handel: Rodelinda - Rodelinda: Atto Secondo - Recitativo: "Ah sì! ecco lo sposo!" | 2:13 | |
17 | Handel: Rodelinda - Rodelinda: Atto Secondo - No. 22 Aria: "Tuo drudo è mio rivale" von Alexander Young, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 3:20 | |
18 | Handel: Rodelinda - Rodelinda: Atto Secondo - Recitativo: "Non ti bastò, consorte" von Teresa Stich-Randall, Maureen Forrester, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:55 | |
19 | Handel: Rodelinda - Rodelinda: Atto Secondo - No. 23 Duetto: "Io t'abbraccio" von Teresa Stich-Randall, Maureen Forrester, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 6:24 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Handel: Rodelinda - Rodelinda: Atto Terzo - Recitativo: "Del german nel periglio" von Hilde Rössel-Majdan, Helen Watts, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 1:11 | |
2 | Handel: Rodelinda - Rodelinda: Atto Terzo - No. 24 Aria: "Un zeffiro spirò" von Helen Watts, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 5:18 | |
3 | Handel: Rodelinda - Rodelinda: Atto Terzo - Recitativo: "Con opra giusta io cancellar disegno" von Hilde Rössel-Majdan, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:22 | |
4 | Handel: Rodelinda - Rodelinda: Atto Terzo - No. 25 Aria: "Quanto più fiera tempesta freme" von Hilde Rössel-Majdan, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 4:13 | |
5 | Handel: Rodelinda - Rodelinda: Atto Terzo - Recitativo: "O falso è Bertarido o fu mendace" von Alexander Young, John Boyden, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 1:11 | |
6 | Handel: Rodelinda - Rodelinda: Atto Terzo - No. 26 Aria: "Tra sospetti, affetti e timori" von Alexander Young, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 5:22 | |
7 | Handel: Rodelinda - Rodelinda: Atto Terzo - No. 27 Arioso: "Chi di voi fu più infedele" von Maureen Forrester, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 3:05 | |
8 | Handel: Rodelinda - Rodelinda: Atto Terzo - No. 28 Accompagnato e Recitativo: "Ma non so che dal remoto balcon...Non temere. Signore? Germano?" von Maureen Forrester, Helen Watts, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 3:44 | |
9 | Handel: Rodelinda - Rodelinda: Atto Terzo - No. 29 Aria: "Se 'l mio duol non è si forte" von Teresa Stich-Randall, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 6:23 | |
10 | Handel: Rodelinda - Rodelinda: Atto Terzo - Recitativo: "Amico, ah! che a me duole" von Maureen Forrester, Helen Watts, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 1:02 | |
11 | Handel: Rodelinda - Rodelinda: Atto Terzo - No. 30 Aria: "Se fiera belva ha cinto" von Maureen Forrester, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 5:34 | |
12 | Handel: Rodelinda - Rodelinda: Atto Terzo - No. 31 Accompagnato: "Fatto inferno è il mio petto" von Alexander Young, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 2:46 | |
13 | Handel: Rodelinda - Rodelinda: Atto Terzo - No. 32 Aria: "Pastorello d'un povero armento" von Alexander Young, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 4:31 | |
14 | Handel: Rodelinda - Rodelinda: Atto Terzo - Recitativo: "Che miro? Amica sorte...Ecco ti innanzi il reo" | 2:58 | |
15 | Handel: Rodelinda - Rodelinda: Atto Terzo - No. 33 Aria: "Mio caro bene" von Teresa Stich-Randall, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 3:38 | |
16 | Handel: Rodelinda - Rodelinda: Atto Terzo - Recitativo: "Sposa, figlio, sorella, amici" von Maureen Forrester, Martin Isepp, Vienna Radio Orchestra, Brian Priestman | 0:28 | |
17 | Handel: Rodelinda - Rodelinda: Atto Terzo - Coro: "Dopo la notte oscura" | 2:40 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 1 - Introduction | 4:53 | |
2 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 1 - Prologue: "D'anciennes haines endormies" von Regina Resnik, London Symphony Orchestra, Pierre Monteux, London Symphony Chorus | 4:31 | |
3 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 1 - Strophes 1 & 2: "Premiers transports" / "Heureux enfants" von Regina Resnik, London Symphony Orchestra, Pierre Monteux, London Symphony Chorus | 5:56 | |
4 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 1 - Récitatif et Scherzetto: "Bientôt de Roméo" - "Mab! la messagère" - "Bientôt la mort est souveraine" von André Turp, London Symphony Orchestra, Pierre Monteux, London Symphony Chorus | 3:20 | |
5 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 2 - Roméo seul - Tristesse Grande fête chez Capulets | 13:03 | |
6 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 3 - "Ohé! Capulets! bonsoir, bonsoir!" von London Symphony Orchestra, Pierre Monteux, London Symphony Chorus | 18:42 | |
7 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 4 - Scherzo. La Reine Mab ou la Fée des songes | 8:55 | |
8 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 5 - Convoi funebre "Jetez des fleurs pour la vierge expirée" von London Symphony Orchestra, Pierre Monteux, London Symphony Chorus | 9:02 | |
9 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 6 - Romeo au tombeau des Capulets | 7:40 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 7 - Final. "Quoi! Roméo de retour! Roméo" von London Symphony Orchestra, Pierre Monteux, London Symphony Chorus | 5:08 | |
2 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 7 - Final. "Pauvres enfants que je pleure" von David Ward, London Symphony Orchestra, Pierre Monteux, London Symphony Chorus | 9:15 | |
3 | Berlioz: Roméo et Juliette, Op. 17, H 79 / Part 7 - Final. "Jurez donc, par l'auguste symbole" von David Ward, London Symphony Orchestra, Pierre Monteux, London Symphony Chorus | 4:52 | |
4 | Berlioz: Symphonie fantastique, Op. 14 - 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai) | 15:26 | |
5 | Berlioz: Symphonie fantastique, Op. 14 - 2. Un bal (Valse: Allegro non troppo) | 6:44 | |
6 | Berlioz: Symphonie fantastique, Op. 14 - 3. Scène aux champs (Adagio) | 16:57 | |
7 | Berlioz: Symphonie fantastique, Op. 14 - 4. Marche au supplice (Allegretto non troppo) | 4:39 | |
8 | Berlioz: Symphonie fantastique, Op. 14 - 5. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | 9:59 |
Tracknummer | Songtitel | Songlänge | Preis |
---|---|---|---|
1 | Donizetti: Linda di Chamounix / Act 1 - Ah! tardai troppo... O luce di quest'anima | 6:33 | |
2 | Bellini: I Capuleti e i Montecchi / Act 1 - Eccomi...Oh! quante volte | 9:35 | |
3 | Donizetti: Lucia di Lammermoor - Act 1. - Ancor non giunse!...Regnava nel silenzio von Beverly Sills, Sonja Draksler, Wiener Volksopernorchester, Jussi Jalas | 13:57 | |
4 | Donizetti: Roberto Devereux - Act 3 - "E Sara in questi orribili momenti".."Vivi, ingrato" von Beverly Sills, Wiener Volksopernorchester, Jussi Jalas, Wiener Akademie-Chor | 9:35 | |
5 | Bellini: La Sonnambula - "Care compagne... come per me sereno" von Beverly Sills, Wiener Volksopernorchester, Jussi Jalas, Wiener Akademie-Chor | 9:19 | |
6 | Donizetti: Rosmonda d'Inghilterra - "Ancor non giunse"..."Perchè non ho del vento" | 10:48 | |
7 | Massenet: Manon - Act 3 - Je marche sur tous les chemins...Oui, dans les bois von Beverly Sills, Royal Philharmonic Orchestra, Sir Charles Mackerras, Ambrosian Opera Chorus | 9:23 | |
8 | Thomas: Mignon / Act 2 - "Oui! pour ce soir... Je suis Titania" von Beverly Sills, Royal Philharmonic Orchestra, Sir Charles Mackerras, Ambrosian Opera Chorus | 6:10 | |
Westminster Legacy - The Collector's Edition (Part 2) von Various Artists | Nicht einzeln erhältlich |
- Gesamtspielzeit:
- 22:04:04
- Genres:
- Klassik
- ℗ This Compilation ℗ 2014 Deutsche Grammophon GmbH, Berlin
- © 2014 Deutsche Grammophon GmbH, Berlin